Wednesday, March 31, 2010

The Magic Of Derek Webb





Where do I even begin this post?? Easily my greatest influence musically, theologically, philosophically and spiritually. The one person in the world who it seems has a direct window into my mind, heart and soul.

For the unfamiliar, a bit of background info on my personal hero. Here are his vitals from Wikipedia:

Born
May 27, 1974 (age 35)
OriginMemphis, TN, United States
GenresSinger-Songwriter
Contemporary Christian
OccupationsSinger, songwriter
Years active1993-present
LabelsIndependent (1994-1996)
Warner Alliance (1996-1998)
Essential (1998-2003)
INO Records (2003-present)

I do actually have issues with a couple of the things that the bio says, but that'll come as we get into this post.

I first came across Derek as a member of Caedmon's Call in the late 90's. Someone had tossed me a copy of their self-titled album and I instantly fell in love. Realizing that there were really 3 lead singers and two songwriters in the group I slowly started notice that the songs on that album that spoke to me the most were the ones that Derek had written. There are several songs on the album that I really identified with, but the 2nd last track "Centre Aisle" remains one of my all-time most cherished songs. It was very timely for me since during that period I was dealing with the deaths of a number of friends which had all occurred in less than two years. The song is one that Derek wrote about a family friend who had committed suicide, though I have found that it says a lot about death in general and not just suicides. For those who are interested, here is a link to a journal where Derek explains the genesis of the song.

I listened to that album a lot, probably 5 to 1 for any other CD I had at the time. I had become such a big fan that I was counting the days until their next CD was released. I can remember bugging the poor woman at the store, "Well I know it's arriving on the 26th, but what time on the 26th??" Yeah, I'm fairly certain she wanted me to never enter the door again, but when the 26th arrived I showed up, waited for 3 hours and finally bought 3 copies.... just to be safe. 40 Acres, what a great album and once again a huge influence on me. Much like the previous record, the songs that Derek had written seemed to be the ones that stuck with me the most and yet again one song in particular really spoke to me.

Not long after this CD was released I finally had the chance to see Caedmon's Call live for the first time.
At the end of the first set, despite my pleas to hear "Centre Aisle" live, Derek stayed onstage while everyone else left and he played "Faith My Eyes". Hearing him do the song solo with just his guitar and vocal, I finally paid closer attention to the lyrics and realized that he had once again written a song that could have been based on my life at the time. It's a song about being away from home and missing those who are closest to you. This is one of the unfortunate realities that I've had to deal with for a large part of my adult life and this songs always helps me get through the tough times.

And so it went for two more records, each time I would get ahold of the CD as soon as humanly possible and just absorb it. Each time Derek's words would speak to me in a new and incredibly insightful way. And every time there would be one song that just grabbed my heart and made me wonder, "how does he always know exactly what to write to help me though life??"

Then a day came that I never thought possible, Derek announced that he was leaving the band. I probably shed a few tears when I heard this news. Caedmon's Call without Derek Webb just wouldn't be Caedmon's Call. Luckily the blow was softened by the news that he would be releasing his first solo album soon. The day that CD first landed on my ears was a big day for me. Derek had clearly chosen to make a very "non-caedmon's" sounding album on purpose. Not only that, but I could clearly see why he had chosen to leave the group. Derek had always been the one in the band who was writing the more "difficult" songs. The songs that weren't just light entertainment, but they really challenged the listener to think and question what they believe. It was clear that he had come to a point where there were things that he needed to say that would cause too much controversy for the band.

Derek's first solo album, "She Must and Shall Go Free" touched on a number of difficult subjects but it was first and foremost an album that was aimed directly at what he saw as the major failings of the church today. And Derek took issue with those failings as only he can; directly, thoughtfully, fairly and in brutal honestly. The song that really stood out on this CD was a track called "Wedding Dress" which took aim at the tendency of people to always be looking for "other loves" when they have the greatest love in their life already.

And so on it has gone for every record from the first to the most recent. "I see things upside down" was musically experimental and challenged the listener to realize that the way the world sees things tends to be backwards from what is actually right. There is a song on that CD called "Nothing Is Ever Enough" that was song of the day on my last post. My reasons for being affected by that song 6 years ago are different from the reasons that it has really been speaking to me strongly in recent weeks, but that just goes to show that such amazing lyrics can hit you on so many levels.

"Mockingbird" was up next and this was a very timely album about topics such as politics, social justice and war. It was an album that was intended to generate discussion and debate and I think he succeeded very well at that goal. The last song on the CD called "Love Is Not Against The Law" really hit me hard. Not all that dissimilar to the concept of his previous album, this song points out a lot of things that may seem odd in today's society about truly loving those around us.

"The Ringing Bell" carried on with the political theme that he had begun with "Mockingbird" but looked more closely at our views on war and violence. The final song on the CD really stuck with me as it speaks about how although there are a lot of terrible things that happen in our world, like the title says, "This Too Shall Be Made Right".

There was a lot of controversy surrounding his last CD "Stockholm Syndrome", mostly due to some strong lyrics. His label was refusing to release the CD unless he made changes to one song. Derek chose instead to release the album without the song and then offer the missing track as a free download online. Stylistically it was a major departure from his previous work. Though every album has a very unique sound, this one completely abandoned the guitar (acoustic or electric) driven style that is part of everything Derek had done before. This album was basically entirely electronic music. At the time this album came out, the song which spoke to me right away was the controversial track called "What Matters More". This song points out the very large problem in society of our judging people on what we see as "wrong" with them instead of looking at the things which are really important. In the last little while though, the song that has really been on my mind is a track called "I Love/Hate You". A beautiful tune with lyrics that once again seem like Derek knows exactly what is going on in my life and exactly what to write so I know I'm not alone.

Shortly after The Ringing Bell was released, another great thing happened. It was announced that Derek would be re-joining Caedmon's Call. The album that has been released since his return is called "Overdressed" and is a beautiful return to what the band does best sonically and lyrically. No surprise the song that really stood out to me the most was a tune Derek wrote called "Share In The Blame". It's a very straightforward song that simply tells us to stop blaming others for the problems we all face and look in the mirror to realize that we are all responsible for the world we live in.

I don't know where he's going next musically or lyrically, but I do know that I'll have the music as soon as possible and I'm fairly certain in saying that it will make me pause to think and likely reconsider some of my views on life and the world around me.


Song Of The Day

Clearly this has to be a Derek Webb tune. I've decided to make today's song something from "She Must And Shall Go Free". The song is called "Lover" and it really has been swimming around in my head for the last few weeks.

Saturday, March 13, 2010

A Tour Must Die




And here we are, at the end of the "A Singer Must Die" tour. We played 11 shows in 3 weeks, drove a lot of miles and made some amazing music. For the curious, my average show day went like this;


2:30PM - Arrive onsite and begin loading in mic kit, merch, etc...
2:45PM - Check hospitality, dressing rooms & green room.
3:00PM - Place piano, chairs, music stands, mics, etc.....
3:15PM - Line check and discuss lighting with LD.
3: 30PM - Artists arrives and loads in.
3:45PM - Tune PA and setup console.
4:00PM - Soundcheck begins. Continue lighting focus.
5:00PM - Set stage for Sonata and rehearse.
5:30PM - Finish soundcheck and head for quick dinner.
6:00PM - Quick chat with piano tuner.
6:15PM - Bring merch to front and count in with seller.
6:30PM - Pick up cheque from promoter & check final lighting focus.
6:45PM - Head to Box Office and sort out artist comps.
7:00PM - Go over house requirements with ushers & house captain.
7:15 PM - Final stage check, place water for everyone onstage.
7:30PM - Doors open. Get changed for show & check in with artist.
7:45PM - Head to FOH and do pre-show check.
8:00PM - The curtain goes up and the show is on.
9:00PM - Intermission. Restore stage layout.
9:15PM - Second half of show.
10:15PM - Show finished. Strike mics & gather sheet music.
10:30PM - Take Steven & Andrew to front for singing.
10:45PM - Begin loading car.
11:15PM - Settle merch & get final ticket count.
11:30PM - Leave venue.


So that's a show day in a nutshell for me. Depending on how tired I am after the show I may send the merch sheets and show reports off afterwards before bed, or I may wait until the morning. Just to post it, here is the schedule of shows:

Feb 24, 2010 - Brantford
Feb 25, 2010 - Oakville
Feb 27, 2010 - Markham
March 3, 2010 - Kingston
March 4, 2010 - Toronto
March 5, 2010 - St. Catharines
March 6, 2010 - Kitchener
March 7, 2010 - North Bay
March 10, 2010 - Brampton
March 11, 2010 - Belleville
March 12, 2010 - Barrie

There was originally a 12th show planned in Peterborough on the 13th, but that got canned due to poor promotions which of course led to poor sales. Today the tour is over and I'm settling the final paperwork, merch counts and so on. Was it perfect? Of course not. There were errors made by many people, things were forgotten, times overlooked, directions misread, buyouts shorted, merch counts short, prices inverted (don't even ask), and promoters who tried to cheap out. But as the ageless expression says, "The show must go on". And on it went, regardless of all other issues. When the curtain went up, 7 amazing musicians walked onstage and brought the magic. Out in the house I stood at my console du jour and did my best to help create a memory for those present. Some shows sounded better than others, some PA's & rooms were easier to deal with than others and some people apparently choose to ignore riders & contracts. But much like the 7 artists onstage, I am also a professional. Save the complaints for the next day and get on with the show, don't get set back anymore by less than optimal conditions. From an audio standpoint, this was a much different gig than my average gig, if I have such a thing. This was about making people forget there's even a PA there. I know that's a good thing on any gig, but this one especially was all about transparency and making everything sound as natural as possible. I'd like to think I stepped up to the plate and delivered on my end. I know by the time we were 3 shows into it, things were sounding pretty much the same as how I heard it in my head. Hopefully that's how the artists would like to hear it as well.

I already spoke in my last post about all the things I love about the band, the music and the gig. And now I'm back to "life as usual". How do I feel? Well there's a lot of mixed emotions. I'm going to miss lots of things; The adventure of constantly changing venues, the joy of meeting and working with a new crew every show, the camaraderie with everyone in the group; much like what Neil Peart calls "The guys at the office", and especially I'm going to miss seeing that show over and over. It never got old, and it was a joy to watch and be part of every night. I'm also "coming back home" to a slightly less than perfect picture. There are some things going on with my marriage right now that are going to require some serious thought, discussion and most likely some tears. Maybe the last month of being constantly occupied made things worse, but in this case I kinda doubt it. It was easy to just forget about my life's problems when I had a million other things to occupy my thoughts. But I am glad to be coming home and seeing my family, getting up in the morning with my son and getting spend time with him. We're headed to the supercross races today, though he doesn't know it yet. :-)

Did I accomplish everything I set out to on this tour?? Maybe not everything, but I still feel good about the whole experience. I met some great people, mixed some great shows, got to see some new venues and made some very good business contacts. And most importantly, I held it together. When everything started to go south and people started to flail, I held the calm and solved problems one at a time. After all I'm not paid to have problems, I am paid to create solutions.


Song Of The Day

Today's song is one that I've been listening to a lot lately, mostly due to things going on in my life. It's one of those instances that I feel like the songwriter has looked directly into my life and my heart and put it beautifully into music and lyrics. The songs is called "Nothing is ever enough" by Derek Webb, off his second solo album "I see things upside down". The youtube link is to an acoustic performance of the song which is good, but I highly recommend that you download the album version, actually the whole album for that matter. I know this is my second Derek Webb tune already in not too many posts, well..... deal with it. I love his music and so much of speaks to me very strongly. In fact, I feel a post coming on soon that'll be dedicated entirely to Derek Webb.